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Free shipping and returns worldwide.
The silhouette flows like a musical phrase with only one note varying. Poplin, twill, denim, interspersed with black and white evoke painter’s blouses. Powdery. An asphalt trench coat in lacquered cotton, vibrant, reveals a white, luminous lining.
A jet black bomber jacket, with loose, drooping shoulders and softened leather contrasts with muted white denim pants. The slight twist of the leg grounds the silhouette.
A light suit, softly worn, elegant in its slight fatigue. A knit hood is folded down around the neck. The leather bag reminds of like a small apron, coupled with a nappa leather bottle holder. A false monochrome of black, ink, charcoal.
Like successive layers of cotton linen, denim, Nylon and silk, these silhouettes drank the dye according to the density and nature of their fiber. This mauve tone is made of wilted grass and petals, hydrangea and dry earth. The pockets are deep, the proportions stretched. The collar rolls up, the lapels tighten and protect, then everything transforms and collapses when the garment opens, revealing its asymmetry and its relaxed elegance when unbuttoned.
Reminiscent of an enlarged pencil case carried by the handle, like a large pocket turned into a bag, laced Nylon Croissant bags hug the body like a quiver, exoskeletons of clothing, excrescences of reticles and links worn as accessories like these concatenated belts and carrying straps to hang the garment. On the sides and the plans which are superimposed in a continuum to compose the silhouettes, confusing the bag and the jacket, naturally blurring the use to increase practicality.
The loose tie of a trench belt, worn at the front of the garment, gently pinches the two-panel volume of an overshirt dress with stretched, masculine proportions. The large flap pockets on the chest, the accentuated collar and cuffs detail reveal a certain oversized and elegant ease.
Like a felted Shetland wool doll, with slightly too long patch pockets and large buttons, reminiscent of military details.
A large robe coat, mounted like a duffle coat, unlined, nobly rudimentary, worn over an overshirt with enlarged and low pockets, in the tones of fallen leaves.
A same tone of red bathes these silhouettes. A quilted plaid is buttoned around the waist and becomes an overskirt. A coat covers the shoulders. Intense reds become worn out by the sun, cooked by time and darkened by the rain. It is the same color bath that overpaints these light poplins, these strong fabrics, nylons and quilted cottons, each material gorged according to its weight and its thirst for color.
A red silk crepe ensemble, trompe l’oeil dress made of a skirt and a draped, unbuttoned wrap top.
Variations of washed denim, garment dyed in cigar shades, with a matte, almost powdery effect, contrasting with smooth leather. An overskirt apron with a single strap celebrates asymmetry.
On the ear hangs a long artificial coral of red pearls, reminiscent of coral, evoking a splash of sensuality down the neck, preciously entangled and stacked with necklaces and strands of hair, like a child's treasure or a bird's nest.
Printed on a jacket, trousers and a shirt, fine flowers, stems and grasses, contrast with a white silk background, forming a moving herbarium. Ivory touches on the ears bring light. On the chest, a mirror is worn as a lacquered amulet, round and caressing like a castanet.
An asymmetrical Shetland wool suit, draped around the body, like a large blanket wrapped against you.
The jacket is crossed up to the armpit, and the electric blue and brown check skirt is turned in at the waist, hugging the hips a little more. The same checkerboard in Shetland wool is available in a soft enveloping jacket with long shoulders. The leather belts are turned into resourceful carrying straps to hang a sweater, a scarf, free your hands.
An ice-cold sky-blue shirt and hip hugging skirt, forming the illusion of a wool dress. Pockets on the shirt are brought closer to reveal the waist.
